#BEST UAD PLUGINS TV#
I often settle for ITB mixes if I don’t want to spend time printing final mixes, TV Track, Instrumentals etc (easily 1/2 hour more vs exporting from my DAW in faster than real-time). I also mix 100% in the box with the usual suspects (Waves, McDSP, Softube, Fabfilter, UAD etc)Įither way my busses are setup so that I can choose which approach I’d go with for a new mix.Īll I’d have to do for OTB summing is change buss outputs directly to my audio interface. I mention these only to point out that it’s not an expansive list of analog equipment like many gearheads, but it’s enough to make a difference with mixes.
#BEST UAD PLUGINS SERIES#
I own a 16-channel analog summing box, several 500 series compressors together with an analog Stereo Buss Comp and a stereo EQ. Great video, I agree with your concept that mixing more will help improve our mixes.
Redoing an old song can also help in gaining insight into the process. With time I too will be able to tame all those harsh frequencies. The rule I have always made: Learn everything you can on as many instruments and music styles as you can. I think it may have to do with the understanding of subharmonics that an instrument can provide and the use of analog effects whether pedals or in the DAW. Otherwise, normally for guitarists by doing so, one is then forced to separate out the melodies and or tones of the two instruments and can learn much from this process, especially listening back on tape and mixing. It is an instrument that is free at birth provided you were spanked at the outset:)It may be a little bit harder and is understandable for bassists and drums and I admire those who can harmonize on two completely different instruments in octave range than most people can reach with their voice. Most beginning songwriters and musicians have a very hard time at the outset trying to sing while playing their instrument. Learning to harmonize with your playing which involves either overdubbing a different instrument or learning to sing while playing can improve the outcome greatly. Frequency isolation specific to the other instruments is important as is the harmonics and frequency range of other instruments. What helped most was the use of effects pedal before going into the DAW and the use of Graham’s lessons on mixing. I have appreciated what I learned from Graham. I don’t use a summing box but have mixed using analog consules into tape as well as through and interface into a box.
#BEST UAD PLUGINS HOW TO#
I wish Graham would also explainthe similarities between mixers and what they use to get that clarity of sound and warmth which he shows how to do in his lessons.
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